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website SEAMS UNDONE

Desktop view of a fashion website section discussing avant-garde fashion. The layout includes bright green background, fashion photography, and descriptive text about the movement's impact and roots in Japanese and Belgian design culture.
Mobile view of a webpage section on avant-garde fashion. The screen shows bold black text on a neon green background and a stylized pink pop-up window featuring a fashion photo with the label '20% OFF'. The content introduces avant-garde as an artistic and experimental approach to fashion. Tablet view of a webpage section about streetwear fashion. The image shows a person in a bright green shirt with a tote bag walking through a vibrant street in Japan. The text explains how streetwear evolved from subcultures into a global fashion movement.

website SEAMS UNDONE

project description

'SEAMS UNDONE' is a fictional fansite that takes a critical and reflective look at fashion and its sub-genres. The focus is not on current trends, but on backgrounds, disruptions, social contexts and aesthetic strategies - from avantgarde to streetwear and fast fashion.
The site focuses on fashion as a means of cultural expression, consumer object and social statement - always with a scrutinising look at the mechanisms of the fashion industry. Short, concise texts on various styles form the core content of the site.
The design of 'SEAMS UNDONE' visually picks up on the contrasts of the fashion world: bright colours vs. clear typography, digital aesthetics vs. analogue-looking design elements (e.g. pop-up windows, browser UI). The design is deliberately minimalist, almost brutalist, and leaves plenty of room for the content to unfold.
A special focus was placed on the responsive layout, which was optimised for desktop, tablet and smartphone. The screens show how navigation and content adapt intuitively to different screen sizes without losing any of their character.
'SEAMS UNDONE' sees itself as a visual and content-related experiment - a place where fashion is not only shown, but also contextualised, quoted and criticised.